Back from vintage, one just passed, rather opaque, saved only by old or not old lions like Weller and Albarn, the glorious land of England will start the new year with a series of interesting new productions: The Chapel Club's second album, "Palace", once dubbed by critics as the new My Bloody Valentine, the debut (self-titled) James Blake - on which we will return, maybe next week - and especially to Anna (or Anne) Calvi, from time in the spotlight after its discovery by Coral, expressions of esteem Nick Cave - who has wanted to open the last concert tour of Grinderman - and the blessing of Brian Eno, "is the most 'beautiful happened after Patti Smith," said l' alchemist-ambient genius inventor and ex-Roxy Music, which offers its valuable contribution in a couple of songs.
And the priestess of rock 'commitment is the first name that comes to mind listening the first work by this young author's obvious Italian origin, compared even to PJ Harvey (by the way, is to be released on his new album, called Let England Shake), Diamanda Galas, Soap & Skin, Cat Power, Siouxsie, Nina Simone, even Tim Buckley. Opera
first very pleasant, although not the miracle that has cried most of the critics. A very fine production, almost perfect, it takes a little 'taste of the disc - as well as heat, the interpretation of Anna in some places is glacial. An instrumental
incipit introduces the innocuous No More Words and a nice piece almost dance, Desire, at the Florence & The Machine. Suzanne & I opens with rock drums and emerge as one of the best features of the collection, and especially the First We Kiss The Devil litany side will show more 'dark and tormented. The remarkable final sequence: Blackout, or the song more 'pop, the play I'll Be Your Man, the sexy Morning Light and Love Will not Be Leaving.
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