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Then after a proluvio sampling and noise, distortion and feedback, testing and alchemy indie-tronic (Neil Young and Sufjan Stevens, naming no names), is a normal - as Totti says: did you notice?, starts all the sentences with "it is normal ..." - who returns to look for the healthy and classic rock and roll, to duechitarreilbassoelabatteria, few frills and no ideas in your head.
So here we are served the third album by Canadian band the Black Mountain Wilderness Heart, and not too explicit homage to the masters of the original Led Zeppelin - in their most 'folk, to Tangerine - and Black Sabbath. More 'direct relation to previous work, we are pleased to duets and singing the sounds of sixties The Hair Song (videpclip remarkable, in heavy rotation on b n) and Buried By The Blues.

A proposal even more 'interesting coming from an area adjacent to Canada, ie Seattle, Washington, once a glorious birthplace of the grunge movement and now with the nearby Portland, Oregon (You fawning, Menomena, Decemberists in this regard, the release of their attessisima The King Is Dead has been postponed to early January) new mecca of the American indie scene.

Bizzaro haired band of seven musicians - even more often bearded -, Hey Marseilles to offer a fantastic orchestral folk with a great horn section, cello and accordion, mindful of the lessons of the masters Decemberists and Okkervil River.
Despite their name, which portends a taste a bit 'French, maybe retro, but they address the their attention to the great Celtic tradition is not by chance on their site you can admire them in a recent acoustic session at Doe Bay Fest 2010, held at Orkney Islands (http://www.heymarseilles.com/home/).
Their debut album, titled Travel To And Trunks, proves an enjoyable listen, which is over an hour of melancholic ballads revisited with an air of almost progressive (Cannonballs, Someone To Love) or songwriting style (You Will Do For Now ), the tone remains bucolic and naive, but resigned rather dark, still very far from the climate caciarone and often high alcohol content of the British indie-folk (Mumford & Sons).

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Sure enough, during this period comes an impressive array of work can upset, and even subvert The building is now the year-end rankings, which already puts her a big commitment because it is not easy, let alone this year around there are masters (and perhaps even truck drivers).

One of these works is undoubtedly the debut album (for their own label, the Provenance Records) of You fawning, beautiful outsider from Portland, Oregon
made themselves known as supporters of the more 'known Menomena - they, too, of Portland, Oregon - authors of Mines in 2010, an interesting art-rock with progressive leanings and ethnic beats.

Hearts Hold On is an album by the dark vein. The pace of martial

opener Multiply A House immediately clear from the context: the dirge of Corrina Repp brings to mind the unforgettable season of This Mortail Coil and Dead Can Dance. The Felt Sense The following sports a rather tense and nervous drumming, droning harpsichord and choir championship undoubted effectiveness. But it is with the Sad Story of tango cabaret, and even more ', with the sober Mouth Of The Young (with a song in the 'Nico schizoid rhythm and a solution) we realize that we are in front of a small masterpiece.

The disc remains at optimal levels, with Apples and Oranges in the territories Arcade Fire, the litany of Just Too Much, almost psycho Lonely Nights (in case anyone has not bothered the Flaming Lips) and the evocative Diamond In The Forest - already published in the past for voice and piano - almost a homage to the masters Menomena.

The finish is sublime, with I Know You Know that mixes wisdom with nuances Forties (Billie Holiday), abrasive guitars and gypsy accordion, backing vocals and a terribly gloomy trip-hop Portishead type.

What say them classificone find ourselves in, and so high, I think.

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