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's like when you go to find, after a lot of time, an old friend.
You will bring them home, ask him how it goes, you do sit in the chair by the fireplace, offered him a walnut and then told you "a decade in a few sentences: you let him, or rather, no, to the contrary, he is laid off, and his son that grows well in fact it is as fat as a pig, ingurgita those damn snacks from morning to evening.
not you see for years, but it immediately establishes an atmosphere of complicity and proximity, it is as if all this time you had still continued to frequent the bar every fucking night as it once was.
The same thing happens to me with these two discs.

Giovanardi is the former singer of La Crus - historical rock band of the great age of Italian independent (Afterhours, Marlene Kuntz, Almamegretta, CSI, etc.) and letters with which he has participated in Sanremo last - and for him Time has passed, there will have missed that kind of carry-dall'inquietante Biscardiana color, I would say a RAL 2009, with the eye. This new job all in all it seemed fun, though not essential, and contains, besides the already known I confess, orchestral and pop music, as well as some cover by the legendary '60s, seems like Mina: Bang Bang (with Violante Placido) and I Love You Too. The flaw is Neil Armstrong, from the explicit text ("can do with a very short step, to leave it all behind you) but like so embarrassing to the White.

J. Mascis instead exhibits a terrific flowing mane and gray ash, and is the leader of Dinosaur Jr., champion of the noise band returned last year with the notable Farm at the level of the early 90s. Several Shades Of
Why is an acoustic record, published by Sub Pop, which goes to fill a huge void for those who - like us - have always hoped in a disk unplugged the old dinosaur found a vein and to confirm its composition.
Purify from the usual chitarrone and walls of feedback and violent release of amps, are the melodies, pleasing and poignant, and the nasal voice of a J. Mascis indolent and more and more 'clone of his idol, Neil "Crazy Horse" Young (Can I): the classic Not Enough, Is It Done and Where Are You have nothing to envy to the best footage (Get Me Start Choppin', Thumb ), the title track recalls the folk-rock of CSN & Y, and sweet are the twilight Very Nervous And Love and Too Deep, perhaps the most 'beautiful of the lot.
Bravissimo.

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ANGLES


After more than five years of waiting out in Italy on 22 March (the day before in the U.S.), but it is now possible to stream on their official website - http:/ / new.thestrokes.com / featured / listen-to-angles-here - the new and fourth album of the Strokes: PiacenzaSera did not miss this chance to give you a preview.

soon recovered from the shock derived from the infinite ugliness of the cover - a psychedelic Escher and a little 'color-blind - so we throw ourselves in listening to Angles, anticipated by the beautiful single Under Cover Of Darkness, available on the web beginning of February.
was unthinkable - especially after the flop of the next to last, pale, First Impressions Of Earth - continue on the trail so far beaten, or their garage-rock made mostly of guitars, sparse yet melodic, since they have lost the freshness and the spontaneous beginning (what a bore Taken For A Fool, and also Gratisfation is nothing new).
New Yorkers - not without turmoil and strife: the leader Casablancas did not attend the first sessions, not to disturb the mates - then try the paper less of a hard compact and simple, more 'multi-faceted and also - of course - uneven.
The new feature is the massive use of keyboards and sampling. Imagine that the opener Macchu Picchu that seem part of the Men At Work Down Under! Games, Life Is Simple In The Moonlight and the considerable Two Kind Of Happiness New Romantic atmosphere recover instead.
far more pieces' pop.
Then there is the attempt to do some experimentation, a bit of research.
It is much worse. You're So Right
try the way of electronics a bit 'tricky Radiohead beginning of the decade (the last), and is a road, you know, rugged and full of traps, but the cloning Metabolism prog of the last Muse, emphatic and grandiloquent.

Running the risk of catching a crab - listening to low fidelity probably does not do justice to their sound, more 'refined than ever before - we venture to say that, once again, the band of Julian Casablancas does not hold up long distance, remaining essentially a single band.

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July 1994 27th
breakfast, here in the Valley of the Gods, is a couple of cups of hot tea, a blueberry pancakes, or a sort of Bortolini blueberries, a slice of pink grapefruit then kiwi, kiwi there than they want.
Tonight we sleep well, in the quiet of almost surreal silence this huge now been with us for days, and therefore we are ready to get started on the road, State Road 98, north.
The road crosses the Navaho territory, including scenes of unprecedented scope and dazzling light. On our left, the Mormon Ridges, on the right before the Grey Mesa and then the Antelope Creek, which will take us up to Page, frequented harbor on Lake Powell.
Once on the beach, a small strip of sand bordered by a fence of wood and metal shacks, put off and we leave all our clothes, money and documents, including, in a bundle near the surf, then we hardly ever ' water of the lake. More
'Later we embark on the Canyon King, all patched up and a boat built of wooden boards whitened so reminiscent of the sun, with its big wheel with red enamel placed on the stern, the boats that ply the waters of the Mississippi.
No gambler, though, and even the blacks who play the blues.
Only white tourists and east, with their camera, and coca-cola, chewing gum and bags of chips in hand.
The old boat along the cliffs and clear, more 'above the red rocks looming, almost overhanging the water clear and blue that reflects nMode about right, upside down, of course, but that seems almost exactly the same or a suggestion mirage.
Stunned by this spectacle, we set off in approval of glances, struck dumb. Even because of the temperature. The vice of the heat is relentless, the oppressive heat of the afternoon. Having trouble even breathing. But the mood, anyway, is skyrocketing. These are just a few hours we left the jungle behind the sheet metal, asphalt and dust that is Los Angeles.
The hot, fuck you. So we will be even more 'north to the forests and national parks.
Soon we'll be in Yellowstone.
Will we see bears?

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FROM THAT GO, 02


PiacenzaSera listened to you on the fifteenth title of the now vast discography of REM, stores and downloads from last Tuesday, March 8.
The first approach - despite the difficulties related to the immense and unwavering respect for them and despite the timely slating from the critics over 'alternative (with a punctuality that leaves some suspicion about his actual play) - is positive: the beautiful cover and packaging by the great photographer Anton Corbjin, and a single funny and catchy, quell'Uberlin available on the web a few weeks, to be honest, the label has chosen several individuals for various territories: one more rock for America, Mine Smell Like Honey; UBerlin for Europe and Oh my heart - if they do not understand why - in Germany.

The work is varied and never boring, as is some of the latest efforts of the trio of Athens, and also the long list of collaborations and cameos (excellent duet with Peaches pulled in Alligator Aviator Autopilot Antimatter, then Eddie Vedder and Patti Smith) does not disturb too much, although in the case of the latter, and the final Blue looks very acid too much to E-Bow The Letter: On the other hand, the remakes of old songs is a full-blown AIDS in the last REM.
Of course, the comparison with the masterpieces of the past - far away from Murmur and a Life Rich Pageant Document, perhaps the most 'beautiful of all, by Out Of Time for Automatic For The People, up to Monster - is relentless, and, to put it whole, absurd.
The sound is their classic sound, nice and unmistakable, very profession, less inventive. In general, acoustic ballads (Walk It Back, the nursery rhyme Every Day Is Yours To Win, Oh My Heart) do you prefer to electrical parts, often derivative and rarely biting: Discoverer recalls Finest Worksong, Mine Smell Like Honey seems to emerge from Rich Life Pageant. On the Web

started the debate between those who, nostalgic, appreciates whatever "to me it's okay: that sound like REM REM", and who, instead, consider it a useless disc: 'There is too much music and too little time and money on a record like this. "
For us, the first blow, keep dry and sober setting of the penultimate work Accelerate - Though much less aggressive - and you go to place at least a cut above the diptych Reveal / Around The Sun

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aliases back in fashion.
(I always remain our favorite Captain Beefheart, Dr. Octagon, and - for obvious reasons - Country Joe & The Fish).

Note to the public for being the last wife of Jeff Buckley, the multi-instrumentalist Joan Wasser - aka Joan As A Police Woman - has long been a landmark for the female indie universe (from us, his great admiration and Cristina Donà, which in January has published the best I'll be back home on foot). His fourth
effort, entitled The Deep Field, is a very pleasant listening: very black, permeated with veins soul (Marvin Gaye) reminiscences and funky (Prince), but declined in a refined and personal, anything but conventional, as they are able to make even the Black Keys last season. Listen to good single
The Magic, for example, or the sensual The Specific Action Man and The Kiss (Sade). On a log more 'move the excellent songwriting Forever And A Year and Flash, which reminds us the first Radiohead. Rather unconvincing is usually good but the contribution of Joseph Arthur, who, with his pseudo-erotic spoken to Isaac Hayes weighs far more than the Human Condition.

Iron & Wine (Iron & Wine ") is the moniker of bearded Sam Beam - Texan by adoption but originally from South Carolina - now also the fourth album, released to the historic label 4AD. Hastily
categorized under the label folk-rock (Midlake also come from Texas and John Grant), Kiss Each Other Clean offers a wide variety of sound solutions: orchestral arrangements, jazz standards to rock there Steely Dan (Bog Burned Hand), ballads style West Coast (Glad Singing Man, Tree By The River), blues and ethnic instincts (Monkeys Uptown).
Our favorite tracks are the single Walking Far From Home, that the truth does not have the characteristics typical of a single, the hypnotic Will Run Rabbit and the evocative Godless Brother In Love in which Beam performs the same emotional tension of Rufus Wainwright, as well as with the epic finalone Fake Your Name Is Good Enough For Me

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The Oxford band has grown accustomed to radical choices - or radical chic?, for the most 'critics are just great ... sharpers - and unconventional strategies, often in opposition to the logics of the recording industry.
Here they are then suddenly announce the release of the eighth album, available only from a few days for download on the official website: www.radiohead.com, the modest price of 7 pounds, barely less than 9 euro at current exchange rates for the MP3 version, 11 pounds for the WAV while sboroni for 36 pounds but can order a pack with vinyl, CD, a collection of 625 (!) artwork and a magazine with the story of disc.

7 pounds for only eight tracks, totaling just 37 minutes never so constipated.
The King Of Limbs (apparently it is the name of an ancient oak tree located close to their recording studio) is a work divided into two halves almost correct.
What once would have been the A side is electronic minimalism, experimental and ambitious, almost outtakes from Kid A or Amnesiac, and may be indigestible as a pan of pizzoccheri. Sampling and scratches, noisy effects, background noise, skewed melodies, percussion show: not really leave anything to the ease of listening. It will also be a coincidence, but opens with a tribal-psychedelic song titled Bloom, the protagonist of Joyce's Ulysses, the novel of the twentieth century inaccessible for excellence. And the next Morning Mr. Magpie (Autechre), Little By Little (perhaps the best of the lot) and Feral - a dustep that seems to tie the recent debut of James Blake - do not deviate from the topic. The Lotus Flower
individual is responsible for ferries in the second half of the disc, instead consisting of four charming and melancholy ballads style Pyramid Song / Sail To The Moon. In particular intimacy delicate Codex (the best song ever: that honor is the name of our publisher ...) and Give Up The Ghosts shows the lyricism inspired by Thom Yorke.

A disc slightly blurred, perhaps. For us less, not only to the masterpieces of the past, but also the penultimate In Rainbows.
brief and incomplete: the final, however, seems to presage Separator ("If you think this is over, then you're wrong") to follow shortly. We remain fearful
pending.

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LITTLE LESS LIKE A MASTERPIECE


We said we would come back on this James Blake James Blake, and we want to be speaking.
The very young (he was born in 1989) and talented DJ and producer English - Quote from the BBC to second place in the "Sound of 2011", the prestigious ranking that identifies the musical talents of each new year music - recently reached an unexpected success with its unique cover of the Limit To Your Love Feist Canadian singer-songwriter, now almost permanent member of Broken Social Scene: a bare version, essential, stripped of all tinsel, much more beautiful as the original.
But it is all the work to impress, with its foundations and its dubstep electronic minimalism, never too complacent or synthetic, but rather imbued with a soul vein (his parents listen to Stevie Wonder, D'Angelo, Sly & The Family Stone ), a voice capable of deep bass and warm tones.
I never learnt to share, for example, or the final Measurements: The gospel should sound like in the twenty-first century. And Willhelm Scream, second single from the album, with that single verse repeated in a crescendo, ol'accoppiata Lindesfarne / Lindesfarne II, infinitesimal variations on this theme.
Among his influences, the young genius - a true predestined according to some - he cites his countrymen XX; initial Unluck reminiscent of the extraordinary Bon Iver EP in 2009 (Woods), the aforementioned I never learnt to share and piano Give My Mouth are indebted to Antony & The Johnsons. We also reminded of Radiohead's Amnesiac and even Robert Wyatt of Shleep.
short, This disc is less than a masterpiece.

The next April 21 will perform at Blake Lambretto Art Project in Milan Club To Club Festival. Admission to the concert will be free subject to availability: how to book a ticket but will be announced in coming days.
State on the piece.

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Back from vintage, one just passed, rather opaque, saved only by old or not old lions like Weller and Albarn, the glorious land of England will start the new year with a series of interesting new productions: The Chapel Club's second album, "Palace", once dubbed by critics as the new My Bloody Valentine, the debut (self-titled) James Blake - on which we will return, maybe next week - and especially to Anna (or Anne) Calvi, from time in the spotlight after its discovery by Coral, expressions of esteem Nick Cave - who has wanted to open the last concert tour of Grinderman - and the blessing of Brian Eno, "is the most 'beautiful happened after Patti Smith," said l' alchemist-ambient genius inventor and ex-Roxy Music, which offers its valuable contribution in a couple of songs.
And the priestess of rock 'commitment is the first name that comes to mind listening the first work by this young author's obvious Italian origin, compared even to PJ Harvey (by the way, is to be released on his new album, called Let England Shake), Diamanda Galas, Soap & Skin, Cat Power, Siouxsie, Nina Simone, even Tim Buckley. Opera
first very pleasant, although not the miracle that has cried most of the critics. A very fine production, almost perfect, it takes a little 'taste of the disc - as well as heat, the interpretation of Anna in some places is glacial. An instrumental
incipit introduces the innocuous No More Words and a nice piece almost dance, Desire, at the Florence & The Machine. Suzanne & I opens with rock drums and emerge as one of the best features of the collection, and especially the First We Kiss The Devil litany side will show more 'dark and tormented. The remarkable final sequence: Blackout, or the song more 'pop, the play I'll Be Your Man, the sexy Morning Light and Love Will not Be Leaving.

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There are now dozens of publications such as "The 500 essential albums of the rock," or "100 discs to take on a desert island." I read them all, and then seeing my personal rankings.
Well, certain disks or certain writers never fail in that suit everyone; you have, say, the true invariants. Suicide, for example, then I wonder if anyone has ever even heard them. The Stone Roses. The Jesus And Mary Chain. Or misunderstood Camper Van Beethoven.
Among these are without doubt the Gang Of Four and Wire, two British bands of the more 'important and influential postpunk generation.

The first, from Leeds, kicking ass in 1979 with the debut album Entertainment! (482esimo to place the strips of Rolling Stone), or a Marxist funk array of extraordinary vitality.
are back today, after sixteen years after the penultimate shrinkwrapped, dismissing the mediocre Content, disco new wave of new-model Franz Ferdinand played out of time.
Much better to go and fish out the mythical Entertainment!

The latter, in London, in the second half of the Septuagint were among the most 'authentic ferry from punk to new wave and gave birth to landmarks such as Pink Flag (a collection of twenty-one tracks lean and very quick to place the list of Rolling 406esimo Stone), Chairs Missing and 154.
At the third reunion - which sees guitarist Bruce Gilbert's resignation, replaced by Robert Grey - are back with a record far from obvious: Red barked Tree opens with the refined and asymmetric Please Take that back to us in mind Japan , followed by the melancholy and Was Now Adapt, a favorite of ours, and continued with the heavy primitive Two Minutes from the beautiful and Clay, in the odor shoegaze.
The second part of the album remains at impressive levels, especially with the noisy MoreOver and the geezer powerrock A Flat Tent.
The closure reveals himself to the task, with the track that gives the title to the entire collection, a hypnotic and haunting ballad style Stereolab.

Colin Newman and company will play in Italy soon, here are the dates listed on their official website: Feb 19: Velvet, Rimini, February 21: Circle of Arts, Rome, February 22: Bloom, Mezzago (Milano).

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We had no tickets available in advance, and then we left the bar very soon. Inside the old utilitarian aura of pessimism reigned. It was the first time Pearl Jam in Italy: sold out for months. But we had decided to go to Milan on the same. Let's see how to throw it, we were told. Once there, they even have time to park and Big you buy from a scalper four tickets to the modest price of a hundred thousand pounds each, which in those days - was just released Vitalogy, in 1994, if I remember correctly - with a lamel us the ladies were doing a month if you did not have specific defects: one in five trump every now and gintonic of the Parish on Saturday night. Fuck, Big, we could at least talk about it before, I had complained about without much conviction, while he quietly satisfied with our tickets in his pocket, he walked toward the entrance to the building.
On the other hand was our grunge period: long hair down to the shoulders and plaid flannel shirts to buy on the market, which even now are good to go and mushrooms. At that time, an EP on colored vinyl Touch I'm Sick Mudhoney, we had been able to spend a fortune.
Needless to say we do not repent at all.

E 'with these memories just blur in my head that I am going to hear this new (yet another) live in the Seattle band, given to the press to celebrate the twentieth birthday in nearly thirteen years after his famous predecessor, Live On Two Legs, or their first official live album (with which, more particularly curious that the fans' fierce will not escape, does not share any song in the lineup). Thirteen years during which Vedder and company have published an impressive series of concerts, bootlegs, acoustic performance.
There was little to add, then, and so the choice of pieces is unorthodox: anything but a "Best Of" Live On Ten Legs favors rock'n'roll pulled and adrenaline, to the delight of pogo enthusiasts: all the classics and Animal Rearviewmirror (from Vs, 1993), Spin The Black Circle (from Vitalogy, 1994) and State Of Love And Trust (from the Singles soundtrack, 1991). Fishing then hands in the most extensive repertoire 'recently, with four tracks from the last album Backspacer (well Known Unthought and acoustic ballad Just Breathe), a dirty World Wide Suicide by the previous self-titled 2006 and reflective and I Am Mine Nothing As It Seems to recover only in the final glory of the early years with the fantastic trio Alive, Jeremy and Porch. Finally, there is room for cover, to be honest not unforgettable: Arms Aloft by Joe Strummer (Clash) opening and Public Image of GDP, the brainchild of John Lydon's post Sex Pistols: as if to say, we come from there, punk.

anyone, anywhere, turn up your nose.
I really do not understand it, that someone can do well, Pearl Jam, Pearl Jam, what else should they do?
someone insists that is to say that for decades they just canonize themselves, presenting the usual stuff of grandmother. Well, maybe because my late grandfather was not really a dragon in the kitchen - for one thing: tamarind syrup mixed with that of barley for a horrible mash - we go there from my grandmother every day, put your legs under the table.

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THE KING 'IS DEAD


Ready: go!, And this is the first great album of 2011.
Abandon the progressive aspirations and the search for new and more 'complex sounds that had characterized the even better The Hazards Of Love (2009), the Decemberists - A curiosity: their code is not, as was expected, since December, but on behalf of the Russian revolutionaries who in 1925 rebelled against the Tsar - rediscovering the roots and love for tradition.
A sort of Bringing It All Back Home, in fact.
To this end, in the quiet rural retreat of a barn at the foot of Mount Hood, near Portland them - the same Portland who recently has propelled bands like Menomena, Thou fawning and Phoenix - and give birth to The King Is Dead (Smiths tribute), an album of classic folk-rock, seemingly simple, but great immediacy and emotional impact.

It starts with the great Do Carry It All, then Calamity Song is the first explicit admission of adoration for the jingle-jangle of the Byrds and early REM (apparently out of Murmur or Reckoning, Peter Buck, and in fact works in three pieces) and Rise To Me a languid ballad style in Nashville (Gram Parsons).
With a casual copying and pasting, Rox In The Box in the middle once again air in style Irish Heartbeat, and the following January and June Hymn Hymn stand on delicate guitar arpeggios Gibson.
E 'a profusion of mandolins, harmonicas and FISE, including Young, Dylan and Springsteen: Take the introduction of powerful (and beautiful) Single Down By The Water, can hear The Promised Land.
All Arise! instead almost a cover of Creedence, and before concluding, wistful Dear Avery (Red House Painters), there is still time for a perfect pop song as This Is Why We Fight.
will run for a long time on our Ipod.

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January QUIET AND MILD







(photo by Sandra and John)

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The project was created by the unexpected Captain Spock (belated? ) fusion of Sagrada Familia and Pearl Mother, very active bands on the scene of Piacenza in the mid 90s.
The official line-up includes Romolo Stanco fact the songwriter on vocals, various guitars and dobro, Paul Stabellini to electric guitars, drums Enrico Scotti, Alberto Callegari on bass, and George Cravedi Andrea Tartaro, designed by Leonardo on SKY TV, the classical guitar.
The geography of the sextet is beaten in the territories - especially the Sagrada Familia, or the great tradition of American roots rock (Ascoli Show The Way and The Seagulls Birthday Show, almost country), though in contemporary revisited in the manner of sacred cows which Eels, Cake, and Calexico.
Their debut album - recorded at the Studio of Elf Tavernago remastered and even in California - part of almost in a whisper, with the bluesy Miracles, to take immediate and share with the good solid rock guitar - Tom Petty and Screaming Trees - Jack & Devil and derogatory. But there is also room for melancholy acoustic ballads (The Peaceful Place I Miss and Climbing Up A Star, which appear to be affected by Vedder Into The Wild), while a refined and elegant arrangement keeps running even the most pieces' such as radio Two and Everyday. A special mention for the final and eclectic I Came From Mars, and Dr Beginner, beginning with a speech to Lou Reed and ends in a fantastic piece chain grunge, in our opinion the best piece of the entire collection.

Ignorance, however, does not want to be just one disc. During
live performances, the public is offered what is apparently a packaging "from the vinyl record," made from recycled cardboard and customized by famous artists and writers (the first was Emily Cataldo), within which there is a t- shirts designed by the designer Romolo Stanco with a QR code printed on the neck that allows with a simple photograph, free download of the album. A brilliant idea.

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Marina, with a cut'n'paste classificone from my year-end:

The character is rather odd, and apostrophizes me with irreverence - There Is Love In You - my astonishment is liquid, even sound.
We are in a room, crowded background of abrasive guitars and accordion gypsy, Litany trip-hop vocals and terribly grim.
My friend, the new queen of black music, is the trick to bounce back in the bathroom and left me alone in this fluid space in progress, where people change every second, all seem a solitary creatures and impossible to categorize.
But this is different, fear is alienated and disturbed, sometimes even paranoid, because his eyes look at you but does not really seem all you see, who knows how awesome vortex of psychedelic sounds and tangled his mind. Her clothing you might call naive and bucolic, but resigned rather gloomy indeed original. Does not stink, and this is already a story in this place. Why are we in a place out of reach, the city center is far away and if I look out through the windows a bit 'dirty I see a contemporary landscape alienated and alienating, in front of a shopping center with its beautiful park and next to a car wash, beyond a tangle of the highway, behind the hosts are left to imagine the endless terraced houses. We ended up here in search of the last queen of lost love, she falls in love often, moreover, in its way with freshness and immediacy, then takes forever in the ass, but without fear of contradiction we can say that in his stories never fail to intensity and originality, never a power cut or style.
I beg you always find a subject cicinino a less claustrophobic and tense than that with which it mates usually even more sophisticated and melancholy. But she did nothing, his stories are born and die into a kaleidoscope of emotions always pure, and almost never beautiful emotions.
And now what the fuck she is doing in the bathroom that does not come back, while my new friend does not think to even move from my aura of life, but then thinks better of it and goes on the shelf, Pallet Strap on a guitar and an impromptu riff, is inside all but above all that we are never appeased anger, and a scratchy sound, and fucking brilliant passages. And I was not the object of his love, I do not see even more lost in his world. Too bad.

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excessively blamed by friends for not entering the eighth labor of Marlene Kuntz Best Off in 2010, the writer tries to remedy giving them a review of the new year. The band's music
Cuneo may perhaps be indigestible to some, because of some self-indulgence and an undeniable cool arrogance, first leader of the Christian Godano. That does not disprove this time either. With the graphic art of the disc, in which intabarrato shows all black and with an unlikely and bizarre hat, even on the cover to ply the waters as Charon. And with invective initial Shelter Virtual - great rock song, however - with which he attacks the manic downloading ( And I feel the smell of loser / ugly and wrong and wrapped / triumph on his judgment / self-reflection and marginal Sing with me ... this piece: "I am arrogant and schifosetto" ) and even more ', with unprecedented violence in Pornorima , the fans who have criticized them in forums and blog for an alleged failure of the logic of the market: " What to think of the Pharisees index fuck-rock / the anti-snob sbrodoline / alternators parcels and a stock-Let's see, come on! / we are here to enjoy / and then to the most fucked up /'s we also hear / feel how your pleasure / And then be able to see / the jocks hebephrenic Olympians indie-rock / frigidine blah-blah-blog/gli the avant-garde in packages and stock-You know what? / You're my porn-rhyme. "
However, Admissions Virtual and Sexy Solitudes album is a tense and nervous, looking and sincere, which marks a return to the atmosphere of the past, and contains several excellent pieces, including the single Paul Save Anima - yet another tribute to Fabrizio De Andrè, which is becoming a trend? - the good L ' Artist, Vivo and the closing, a beautiful ballad Click while Horizons is pure Sonic Youth sound: it seems to feel Ranaldo and Moore and their guitars.
course, a bit 'of irony and more humility would not be spoiled.